Experience the Virtual Realms: Videogames Transformed Exhibit at WA Museum Boola Bardip

We’ve wrapped up our premiere exhibit at ArtScience Museum in Singapore and are excited to bring Virtual Realms: Videogames Transformed to our next stop at WA Museum Boola Bardip in Perth until May 22, 2022. 

Organized and curated by the Barbican in a co-production with ArtScience Museum, Melbourne Museum and guest-curator Tetsuya Mizuguchi—Virtual Realms radically reimagines videogames as immersive audiovisual experiences for a gallery space.

Rezonance, by Enhance and in collaboration with Rhizomatiks, focuses on Synesthesia and is among five other works paired with themed virtual realms in a series of large-scale, experimental landscapes: SYNESTHESIA, UNITY, CONNECTION, PLAY, NARRATIVE, EVERYTHING.


Rezonance, 2021
By Enhance (game developer) and Rhizomatiks (media designer)

Photo credit: Rezonance, Enhance and Rhizomatiks, 2021

The first realm of the exhibition looks at synesthesia – the neurological phenomenon in which one’s senses will be transported to new dimensions where sound can be ‘seen’ and visuals can be ‘heard’ and ‘felt’. 

Tetsuya Mizuguchi has explored the potential of synesthesia since his 2001 game, Rez. Unique among videogame designers, this interest has led to some of the most critically acclaimed titles in the medium, Rez Infinite (2016) and Tetris Effect (2018). Acclaimed Japanese artistic research collective, Rhizomatiks created the Tokyo segment of Olympics’ closing ceremony in Rio De Janeiro in 2016. They also made the world’s first live streamed 360º virtual reality performance for singer, Björk.

Mizuguchi’s experiments with synesthesia have been expanded into a large-scale format, resulting in the new installation, Rezonance (2021). Upon entering the SYNESTHESIA realm, visitors will be part of the pulsing rhythmic beat and become a ‘traveller’ on the Rezonance journey. It allows visitors to encounter this sensorial state as a shared experience. Using light, sound and technology developed specifically for this exhibition, Enhance and Rhizomatiks have created an unexpected synesthetic encounter, which will transport visitors to other worlds and dimensions. 


Together: the distance between (us), 2021
By thatgamecompany (game developer) and FIELD.IO (media designer)

Photo credit: Together: the distance between (us), thatgamecompany and FIELD.IO, 2021

In the UNITY realm, the dreamlike world of thatgamecompany’s Sky: Children of the Light (2019) has been transformed into an immersive spatial environment. As one moves beneath the circular light-sculpture, music and audio fragments from the game, Sky, are triggered and a choreography of light sequences unfold.

Working with creative studio FIELD.IO, thatgamecompany presents Together: the distance between (us) (2021), an immersive experience where visitors become players in an all-encompassing generative instrument. Visitors will explore the relationship between movement, light and sound as their presence and participation will influence the composition of the space. 


WALL, 2021
By KOJIMA PRODUCTIONS (game developer) and The Mill (media designer)

Photo credit: WALL, KOJIMA PRODUCTIONS and The Mill, 2021

Tokyo-based videogame developer KOJIMA PRODUCTIONS, has partnered with the global production studio, The Mill to create, WALL (2021). The Mill is best known for their stunning digital effects and immersive, interactive experiences across the advertising, marketing and film industries. 

The key theme of human connection in KOJIMA PRODUCTIONS’ latest game, DEATH STRANDING (2019), has been reimagined for the WALL experience. With a soundscape inspired by DEATH STRANDING, visitors will be transported into an unfamiliar environment where a wall is the only channel of connection to two opposing worlds – one alive with biological cells and the other flowing with galactic energy particles. 

As visitors approach the wall, the cells and cosmic particles will respond to their presence, dividing and clustering with one’s movement. The mesmerising patterns that form will offer hints of communication between different spaces and time. Whilst technology can isolate us, WALL demonstrates its potential to create connections in ways that were never previously possible.


Dream Shaping, 2021
By Media Molecule (game developer) and Marshmallow Laser Feast (media designer)

Photo credit: Dream Shaping, Media Molecule and Marshmallow Laser Feast, 2021

The realm of PLAY celebrates the joyful and performative sensibilities that videogames inspire in us, their players. It takes the form of a giant play-space where visitors experiment in both the physical and virtual worlds. Equipped with tracking helmets and a selection of oversized soft geometric forms, participants become part of an improvised performance while other curious visitors look on.

Media Molecule’s vast digital toolset, Dreams (2020) empowers makers to build and share their creations whether games, music, art or animation. Based on Dreams, the installation Dream Shaping (2021), invites visitors to work together to create and manipulate their custom experience. Marshmallow Laser Feast’s acclaimed artistic work, which experiments with making the digital ‘tactile’, has further enhanced the installation, resulting in a uniquely playful experience.


Book of Sand, 2021
By Tequila Works (game developer) and The Workers (media designer)

Photo credit: RiME © 2017 Tequila Works. All rights reserved.

The NARRATIVE realm showcases the power of videogames to tell stories and create new forms of fiction. The commission, Book of Sand (2021) invites visitors to step into the mysterious Mediterranean world from RiME (2017).

Inspired by the novella, Book of Sand (1975) by Jorge Luis Borges, the installation explores the notion of an infinite story that has neither a beginning nor an end. Visitors are to follow the lead of the spotlights by stepping into the light to trigger changes on the screen, such as the crumbling of statues or shifting night into day. Depending on the choices made and the collaborations between players, each rendition of the narrative will differ.


Eye, 2021
By David OReilly (game developer) and onedotzero (media designer)

Photo credit: Eye, David OReilly and onedotzero, 2021

This realm is inspired by Irish artist David OReilly’s game, Everything (2017), that celebrates the capacity of videogames to generate expansive universes and gives shape to the infinite potential of our imagination. Everything is a meditative and reflective world conveying the Buddhist concept of inter-connectedness.  

Working with onedotzero, OReilly has created Eye (2021), a unique interactive environment controlled by visitors, where forms of life self-organise into kaleidoscopic patterns. Eye takes visitors on a visual journey through time, from the Big Bang through to the end of the universe. Visitors can direct elements of the video using giant interactive controllers, or lounge on soft spongy seating, listening to the synchronised soundtrack from the London Symphony Orchestra and bathing in the psychedelic wonder of the space.   

Exhibition Design

The exhibition design for Virtual Realms has been created by Chiara Stephenson. Chiara Stephenson is a scenographer with a background in stage design for theatre, ballet and live music events. For this exhibition, Chiara has collaborated with graphic design studio Stinsensqueeze to create the environmental design that ties the commission spaces together and invites audiences to learn more about the commissions through video and wall text. She also collaborated with theatre and music lighting designer Matt Daw to create the surreal colour palettes that infuse the exhibition space. Their design is complete with geometric structures that stand as portals into the commission realms and encourage a spirit of discovery and play throughout the exhibition.

The musician and composer Erland Cooper has created a binaural, ambient score for the entrance of the exhibition, weaving sounds together from each of the realms to create a fabric that offers a glimpse into its multiple landscapes and gradients that follow.


We are very thankful to our Supporters, who believed and invested in the Virtual Realms exhibition:

SYNESTHESIA and CONNECTION have been kindly supported by Hewlett Packard.
PLAY was made in Dreams and has been kindly supported by Vicon.
NARRATIVE was made possible thanks to the support of Epic MegaGrants.
EVERYTHING has been kindly supported by Hewlett Packard and the London Symphony Orchestra.

Dates and Tickets

Virtual Realms: Videogames Transformed will run from 26 March 2022 – 22 May 2022 at WA Museum Boola Bardip in Perth, Australia.

Ticket prices as follows:
Standard: $20
Concession: $17.50
Junior (5 – 15): $15
Junior (4 & under): Free
Family: $60

For more information, please visit https://visit.museum.wa.gov.au/boolabardip/virtual-realms.

*Featured Post image courtesy of Marina Bay Sands.